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LaunchBox Media Group

Production Booking & Intellectual-Property Policy

Effective for all bookings at LaunchBox Collective, LaunchBox Media Group, and affiliated studios including the Infinity Stage, LightBox Studio, Podcast Studios, Content Kitchen, ADR/VO Booth, and the Virtual LED Broadcast Studio.

Effective Date (this version): April 22nd, 2026. Supersedes: Production Policy dated March 1, 2021 (last updated June 9, 2025) Version: 2.0

1. Scope, Parties & Definitions

This Policy governs the relationship between the booking party ("Client") and the LaunchBox operating entities: LaunchBox Collective LLC ("LBC") — providing facility, equipment, event, membership, and coworking services — and LaunchBox Media Group LLC ("LBMG") — providing production, engineering, music, and agency services. LBC and LBMG are each Texas limited liability companies and wholly-owned operating subsidiaries of LaunchBox Holdings LLC, which is in turn held by the Pfahlert Family Private Trust ("PFPT"). LBC and LBMG are collectively referred to herein as "LaunchBox," "we," or "us." The contracting LaunchBox entity for a given engagement is the entity providing the service booked (LBC for facility/equipment/event/membership bookings; LBMG for production/engineering/music/agency engagements); where both are engaged, both are parties as to their respective services.

For clarity:

  • "Facility Rental" means reserving a room, stage, studio, or space without engaging LBMG crew, engineers, or agency services.

  • "LBMG Crew" means any LBMG-provided camera operator, audio engineer, lighting technician, grip/gaff, producer, director, switch engineer, broadcast engineer, teleprompter operator, DP, editor, colorist, or other production/technical personnel billed as LBMG labor.

  • "Virtual LED Broadcast Studio" means the virtual production environment at 2726 Lipscomb St., which cannot be operated without an LBMG broadcast/virtual-production engineer. Use of this studio is, by its nature, an LBMG-crewed engagement.

  • "Brand Paths" means the agency arm of LBMG, including but not limited to the Foundation Path, Growth Path, and Partnership Path offerings and any creative-direction, strategy, or agency service.

  • "Masters" means raw footage, session files, project files, audio stems, RAW camera files, LED volume renders, multitrack recordings, color/grade projects, and all underlying production assets.

  • "Sound Recording" means a fixation of a series of musical, spoken, or other sounds under 17 U.S.C. § 101 and § 102(a)(7) — i.e., the specific recorded performance (the "master recording").

  • "Musical Composition" (or "Musical Work") means the underlying song — melody, harmony, and lyrics as fixed in notation or recording — protected separately under 17 U.S.C. § 102(a)(2). Sound recordings and musical compositions are two distinct copyrights that can be owned by different parties.

  • "Equipment Rental" means the rental of LBMG-owned gear (cameras, lenses, audio interfaces, microphones, lighting, etc.) without engaging LBMG crew or engineers.

  • "Deliverables" means finished, exported, client-facing files produced by LBMG.

 

2. Engagement Tiers — Who Owns What

This is the most important section of this Policy. What you own depends on how you engage LaunchBox. There are four (4) tiers of engagement. Every booking falls into exactly one.

 

2.1 Tier 1 — Facility Rental &/or Equipment Rental (Client-Owned Work)

When Client rents a room, stage, podcast studio, photo studio, coworking space, or LBMG-owned equipment (cameras, lenses, audio gear, microphones, lighting, etc.) without engaging any LBMG crew, engineer, or agency service, and brings or supplies their own operators, directors, hosts, musicians, producers, or technical personnel:

  • Client owns all creative works they record, film, photograph, compose, or produce in the space or with the rented equipment. LaunchBox asserts no copyright, no license-back, and no work-made-for-hire claim over Client's content.

  • This expressly includes sound recordings and musical compositions created by Client or Client's personnel using rented gear or rented rooms. A musician who books a podcast studio or the Infinity Stage hourly and engineers their own session owns 100% of both the master recording and the underlying composition.

  • Facility and equipment rental are licenses to use the space and/or the gear, not production engagements. LaunchBox is not the "producer of record," "co-author," or "co-owner" for any Tier 1 booking.

  • Client is responsible for its own recording, backup, and storage. Media left on LaunchBox house systems is the Client's responsibility to retrieve; LaunchBox does not guarantee retention.

  • No LBMG production credit is required for Tier 1 bookings. Voluntary "Recorded at LaunchBox Collective" location credit is welcomed but not contractually required.

  • Client is responsible for the condition and return of rented equipment per the separate Equipment Rental Agreement and is liable for loss or damage.

Examples of Tier 1: A podcaster renting a podcast studio hourly and engineering their own session. A photographer booking LightBox for a self-directed shoot. A brand team using the Infinity Stage with their own DP and crew. A musician renting a microphone, interface, and tracking room and producing their own record. A filmmaker renting an LBMG camera package for an off-site shoot.

2.2 Tier 2 — LBMG Crew / Engineer Engagement (LBMG Producer of Record)

When Client engages any LBMG crew or engineer—whether booked as part of a studio package, added to a facility rental, or hired a la carte—LaunchBox becomes the production company of record for the work produced during that engagement.

Under Tier 2, unless a separate signed written agreement states otherwise:

  • All video, audio, photographic, lighting, design, virtual-production, and digital materials created during the engagement are "original works of authorship" under 17 U.S.C. § 101 and § 102, authored by LBMG, and the exclusive intellectual property of LBMG under 17 U.S.C. § 201(a).

  • Client receives a non-exclusive, perpetual, worldwide license to use the final delivered content for the Client's stated brand, campaign, or distribution purpose.

  • All Masters remain LBMG property under 17 U.S.C. § 202 (ownership of the copyrighted work is distinct from possession of any physical or digital copy).

  • Any transfer, assignment, or buyout of copyright requires a signed written Rights Transfer Agreement pursuant to 17 U.S.C. § 204(a) and the Texas Statute of Frauds, Tex. Bus. & Com. Code § 26.01.

Examples of Tier 2: Hiring an LBMG DP for a shoot on the Infinity Stage. Booking an LBMG audio engineer for a podcast recording. Engaging an LBMG switch engineer for a live multicam event.

2.3 Tier 3 — Virtual LED Broadcast Studio (LBMG Producer of Record, Always)

The Virtual LED Broadcast Studio is a specialized virtual-production environment that cannot be operated without an LBMG broadcast/virtual-production engineer. All bookings of the Virtual Studio are therefore, by design, crewed LBMG engagements.

All Tier 2 terms above apply automatically to every Virtual Studio booking. Client cannot "facility-rent" the Virtual Studio; access to the volume, render engine, camera tracking, and broadcast pipeline is inseparable from LBMG technical operation.

2.4 Tier 4 — Brand Paths / Agency & Creative Services (LBMG Producer + Agency of Record)

When Client engages LBMG for Brand Paths, creative direction, show development, distribution strategy, branding, sponsorship-deck creation, media coaching, scripting, set design, creative supervision, or any other agency-level service, LBMG acts as both the production company of record and the creative agency of record.

All Tier 2 ownership terms apply. Additionally:

  • Strategic, creative, and brand-development work product (treatments, scripts, shot lists, look books, brand books, style guides, distribution plans, sponsorship decks) remains LBMG property, with Client receiving a non-exclusive license for its stated campaign use, unless expressly assigned in writing in the governing Brand Paths engagement agreement.

  • The governing Brand Paths engagement agreement—not this Policy—controls in any conflict.

 

3. Raw Footage, Masters & Project Files (Tiers 2–4)

For Tier 2, 3, and 4 engagements:

  • All Masters remain the property of LBMG.

  • Copies may be provided to Client, editors, or contractors solely for post-production, review, or archival reference.

  • Possession or custody of a copy does not convey ownership or copyright under 17 U.S.C. § 202.

  • Editors, subcontractors, or third-party vendors who receive Masters are deemed licensees only and are bound by these terms as a condition of receipt.

  • Unauthorized duplication, resale, public distribution, or creation of derivative works from Masters beyond the granted license constitutes:

    • Copyright infringement under 17 U.S.C. § 501, subject to remedies under §§ 502–505 (injunctive relief, actual or statutory damages, and attorney's fees);

    • Potential criminal liability under 17 U.S.C. § 506 for willful infringement for commercial advantage;

    • Violation of the Digital Millennium Copyright Act, 17 U.S.C. §§ 1201–1205, if protective measures are circumvented;

    • Texas common-law misappropriation and unfair competition; and

    • Violation of the Texas Uniform Trade Secrets Act, Tex. Civ. Prac. & Rem. Code Ch. 134A, and the federal Defend Trade Secrets Act, 18 U.S.C. § 1836, where production workflows, project files, or unreleased content qualify as trade secrets.

Masters Buyout. Requests for full ownership transfer of Masters require execution of a separate Rights Transfer Agreement and payment of an IP Buyout Fee (typically 200–300% of total production value), in compliance with 17 U.S.C. § 204(a).

 

3.5 Music: Sound Recordings & Musical Compositions

Music carries two separate copyrights under federal law — the sound recording (the master) under 17 U.S.C. § 102(a)(7) and § 114, and the musical composition (the underlying song — melody, harmony, lyrics) under 17 U.S.C. § 102(a)(2) and § 115. These rights can be owned by different parties and are treated separately under this Policy.

3.5.1 Tier 1 Music (Client-Produced)

When a musician, band, or producer books a studio or equipment under Tier 1 and self-produces:

  • Client owns 100% of the sound recording. LBMG claims no interest in the master.

  • Client owns 100% of the underlying musical composition. LBMG claims no publishing, co-writing, or producer points.

  • LBMG acquires no mechanical, synchronization, performance, master-use, or derivative-work license by virtue of the rental.

3.5.2 Tier 2 / Tier 3 Music (LBMG Engineer or Producer Engaged)

When Client engages an LBMG audio engineer, music producer, mix engineer, mastering engineer, or broadcast engineer to track, produce, mix, or master music:

  • Sound Recording: LBMG is the producer of record and owns the master sound recording under 17 U.S.C. § 201(a), subject to Client's non-exclusive license for the stated use, unless a separate signed Rights Transfer Agreement assigns the master to Client per 17 U.S.C. § 204(a).

  • Musical Composition: LBMG claims no ownership of the underlying musical composition by default when the composition is brought to the session by the Client (e.g., an artist recording their own song). Songwriting and publishing rights remain with the composer(s) as determined independently of this Policy. For original music composed by LBMG for a Client production, see § 3.5.4 — different rules apply. If an LBMG producer or engineer materially contributes to the Client-brought composition itself (co-writing melody, harmony, lyrics, or a protectable musical element), any resulting composition-level ownership or producer points must be documented in a separate, signed Producer Agreement or Split Sheet executed at or near the time of the contribution. Verbal split agreements and post-hoc claims are void under 17 U.S.C. § 204(a) and Tex. Bus. & Com. Code § 26.01.

  • Producer Points & Royalties: Any producer points, royalty participation, backend, or profit share for LBMG personnel must be set forth in a signed Producer Agreement. Absent such an agreement, LBMG's compensation is limited to the invoiced engineering/production fee, and Client's license to use the master for the stated purpose is paid-up upon invoice settlement.

  • Sync, Master-Use & Mechanical Licenses: Where LBMG owns the master, third-party sync licenses (film/TV/ads) and master-use licenses are administered by LBMG. Compulsory mechanical licensing under 17 U.S.C. § 115 and the Music Modernization Act (17 U.S.C. § 1401 et seq.) applies to the composition side and is administered by the composition owner.

3.5.3 Sampling, Interpolations & Third-Party Music

Client is solely responsible for clearing any samples, interpolations, covers, or third-party musical material incorporated into a production. LBMG does not clear or warrant Client-supplied musical material and is indemnified under § 8 for any resulting third-party claim.

3.5.4 LBMG Original Compositions (Music Created by LBMG for Podcasts, Shows, Productions & Events)

When LBMG composes, produces, or creates original music for a Client engagement — including theme music, score, underscore, stings, beds, bumpers, intros, outros, transitions, walk-ins, walk-outs, event cues, entrance music, background cues, sound design, and original songs for podcasts, shows, films, video productions, live events, or corporate activations — LBMG owns both the sound recording and the underlying musical composition.

This ownership is established under:

  • 17 U.S.C. § 201(a) — initial copyright vests in the author (LBMG, through its composing personnel);

  • 17 U.S.C. § 201(b) — music composed by LBMG employees within the scope of employment is a work made for hire, with LBMG as the statutory author and owner of all rights in the work; and

  • 17 U.S.C. § 101 — where music is composed by LBMG contractors, engagement terms expressly designate the work as specially commissioned as a contribution to an audiovisual work and/or include a present-tense copyright assignment sufficient to satisfy § 204(a).

Client's rights to LBMG original compositions follow one of two paths:

Path A — License with Credit (default). Unless Client executes Path B, Client receives a non-exclusive, perpetual, worldwide license to use the specific LBMG composition within the finished Deliverable for the stated podcast, show, event, or production, provided that credit appears as:

Original music by LaunchBox Media Group

in closing titles, show notes, video descriptions, program inserts, or the equivalent distribution field for the medium. Under Path A, LBMG retains the composition and sound recording for portfolio use, library licensing, re-use in other LBMG productions, and licensing to third parties. Client may not re-license, sublicense, or grant sync rights to third parties under Path A.

Path B — Rights Purchase (Buyout). Client may acquire expanded or exclusive rights in an LBMG composition by executing a separate, signed Music Rights Purchase Agreement pursuant to 17 U.S.C. § 204(a). Buyout tiers include:

  • Exclusive Sync License — Client obtains exclusive use of the composition within a defined production, series, or campaign; LBMG retains copyright and may not re-license the work to competitors during the exclusivity period.

  • Master-Use Buyout — Transfer of the sound recording to Client; LBMG retains the underlying composition.

  • Full Copyright Assignment — Assignment of both the sound recording and the musical composition to Client (with LBMG retaining a limited portfolio/case-study right).

Buyout fees are quoted per composition and scale with scope (length, complexity, custom vs. template), distribution scope (single production, series, campaign, perpetual), and exclusivity tier. Absent a signed Music Rights Purchase Agreement, Path A applies by default, and any broader use is unauthorized.

Unauthorized Use. Reuse, modification, synchronization, sublicensing, or distribution of LBMG original compositions outside the granted license constitutes copyright infringement of both the sound recording and the musical composition under 17 U.S.C. § 501, with remedies under §§ 502–505, including statutory damages up to $150,000 per willful infringement under § 504(c)(2) and recovery of attorney's fees under § 505. Where a separately registered LBMG trademark or brand appears in association with the work, Lanham Act § 1125(a) may also apply.

3.5.5 LBMG Music Library

Compositions created under § 3.5.4 may be retained in and licensed from the LBMG Music Library for use across other LBMG productions and external sync licensees, subject to any exclusivity granted to a prior Client under Path B.

 

4. Credit, Attribution & Buyout of Credit Rights (Tiers 2–4)

 

4.1 Mandatory Credit

Every production produced by LBMG crew or under an LBMG agency engagement must include:

Produced by LaunchBox Media Group — Recorded at LaunchBox Collective, Fort Worth, TX

This credit shall appear in closing titles, video descriptions, podcast show notes, or the equivalent distribution field for the medium.

4.2 Credit Waiver / Buyout

Clients wishing to omit or conceal the LBMG credit must execute a Credit Waiver & Rights Buyout Agreement prior to release.

  • Waiver fee: 25% of total production cost or $1,000 USD minimum, whichever is greater.

  • Payment grants the Client the right to publish without visible LBMG branding while leaving all underlying copyrights with LBMG.

  • Full IP transfer requires the separate Rights Transfer Agreement referenced in § 3.

4.3 Unauthorized Removal of Credit

Deleting, obscuring, or omitting the LBMG credit without a signed waiver constitutes:

  • Breach of this Policy;

  • Copyright infringement under 17 U.S.C. § 501;

  • Potential violation of the Visual Artists Rights Act, 17 U.S.C. § 106A, where applicable to works of visual art;

  • False designation of origin and unfair competition under the Lanham Act, 15 U.S.C. § 1125(a);

  • Trademark infringement under the Lanham Act, 15 U.S.C. § 1114, where LBMG marks are implicated; and

  • Texas common-law unfair competition and violation of the Texas Deceptive Trade Practices Act, Tex. Bus. & Com. Code § 17.46.

LBMG may invoice the waiver fee retroactively, seek statutory damages up to $150,000 per willful infringement under 17 U.S.C. § 504(c)(2), and recover attorney's fees under 17 U.S.C. § 505.

4.4 Tier 1 Exclusion

Tier 1 Facility-Rental bookings do not carry a mandatory LBMG production credit, because LBMG did not produce the work. A voluntary "Recorded at LaunchBox Collective" location credit is welcomed.

 

5. Studio & Crew Services

 

5.1 Facility Rental & Equipment Rental Scope

Facility rental covers access to the designated room and any standard house equipment included with that space. Equipment rental covers the use of specifically itemized LBMG-owned gear for a defined rental period. Facility rental and equipment rental — alone or together — do not include production labor, engineering, creative services, or agency-level assistance and do not convert the booking into an LBMG production. See § 2.1 (Tier 1).

5.2 Crew Labor

Crew labor—including but not limited to camera operators, audio engineers, lighting technicians, grip/gaff personnel, producers, directors, switch engineers, teleprompter operators, talent coaches, broadcast engineers, and creative/technical supervisors—is billed separately at LBMG's standing day rates unless explicitly itemized in writing.

Engaging any such personnel converts the booking to a Tier 2, 3, or 4 engagement under § 2 of this Policy.

5.3 Agency & Creative Services

Any agency, creative-direction, or strategic services—including Brand Paths engagements, show development, distribution strategy, branding, sponsorship-deck creation, media coaching, scripting, set design, or creative supervision—are billed at LBMG agency rates and are governed by the applicable Brand Paths or creative-services agreement.

5.4 Non-Solicitation of Staff

Client may not solicit, retain, contract, or employ LBMG personnel (including W-2 employees, contractors, DPs, engineers, or crew introduced to Client through LBMG) outside the LBMG engagement without LBMG's prior written consent, for the duration of the engagement and twelve (12) months thereafter. Unauthorized solicitation may result in termination of membership privileges, liquidated damages equal to twelve months of the solicited party's LBMG-billed services, and action under Texas common-law unfair-competition and tortious-interference principles.

 

6. Confidentiality & Trade Secrets

LBMG production workflows, pricing structures, virtual-production pipelines, client lists, unreleased project files, render assets, and technical configurations constitute confidential information and, where applicable, trade secrets under the Texas Uniform Trade Secrets Act (Tex. Civ. Prac. & Rem. Code Ch. 134A) and the federal Defend Trade Secrets Act (18 U.S.C. § 1836). Client, its agents, contractors, and any recipient of LBMG Masters shall not disclose, disseminate, or exploit such information outside the licensed use.

 

7. Third-Party Materials, Talent Releases & Clearances

Client is solely responsible for obtaining all necessary rights, releases, and clearances for:

  • Third-party music, footage, images, fonts, or trademarks supplied by Client;

  • Talent appearance releases under applicable right-of-publicity law, including Tex. Prop. Code §§ 26.001–26.015 (post-mortem) and Texas common-law right of publicity (living persons);

  • Location releases for off-site filming; and

  • Any pre-existing intellectual property Client incorporates into the production.

Client represents and warrants that all such rights are properly secured and indemnifies LBMG against any third-party claim arising from Client-supplied materials.

 

8. Representations, Warranties & Indemnification

Client represents that it has full authority to enter this Policy, that Client-supplied materials do not infringe any third-party right, and that Client's use of Deliverables complies with applicable law. Client shall indemnify, defend, and hold harmless LBC, LBMG, LaunchBox Holdings LLC, the Pfahlert Family Private Trust, and their respective officers, members, managers, trustees, beneficiaries, employees, and contractors from any claim, loss, or expense (including reasonable attorney's fees) arising from Client's breach of these representations or Client's use of Deliverables outside the granted license.

 

9. Limitation of Liability

To the maximum extent permitted by law, LBMG's aggregate liability arising out of or relating to this Policy or any engagement governed by it shall not exceed the total fees actually paid by Client to LBMG for the engagement giving rise to the claim. LBMG shall not be liable for indirect, incidental, consequential, special, exemplary, or punitive damages, including lost profits or lost data, even if advised of the possibility of such damages.

 

10. Payment & Cancellations

  • Production, studio, and crew fees are due in full before recording unless otherwise arranged in writing.

  • Cancellations within 48 hours forfeit deposits and first-hour fees.

  • Late payment, non-payment, or chargeback suspends usage rights and license grants until payment clears in full.

  • Past-due balances accrue interest at the highest rate permitted by Texas law.

 

11. Portfolio & Promotional Use (Tiers 2–4)

LBMG retains the right to reference, display, publish, and excerpt completed LBMG-produced works for marketing, case-study, educational, portfolio, and award-submission purposes, unless Client purchases a Portfolio Exclusion Waiver equal to 10% of total project cost. This right does not apply to Tier 1 Facility-Rental work, which LBMG did not produce.

 

12. Entity Structure & Operational Continuity

The LaunchBox enterprise is organized as follows: the Pfahlert Family Private Trust holds LaunchBox Holdings LLC, a Texas limited liability company. LaunchBox Holdings LLC owns two Texas LLC operating subsidiaries: LaunchBox Collective LLC (facility, equipment, event, membership, and coworking services; including DBAs such as LaunchBox and The LightBox) and LaunchBox Media Group LLC (production, engineering, music, and agency services; including DBAs such as LBMG, LaunchBox Studios, and LaunchBox Productions). All services governed by this Policy are provided by one or both of these operating subsidiaries.

From time to time, subsidiary, affiliated, or DBA entities may be formed, reorganized, renamed, merged, or dissolved as part of the ongoing operation of the enterprise. Such entity-level changes do not affect the applicability of this Policy, the ownership of LBC or LBMG intellectual property, or the enforceability of any agreement entered with any LaunchBox entity. All rights, obligations, and intellectual property held by or acquired by any LaunchBox operating entity, predecessor entity, or DBA are held for the benefit of and are assignable among LaunchBox Collective LLC, LaunchBox Media Group LLC, LaunchBox Holdings LLC, and the Pfahlert Family Private Trust. Any agreement entered with a LaunchBox trade name, DBA, or predecessor entity shall be deemed entered with the applicable current LaunchBox operating entity and shall remain in full force notwithstanding any entity-level change.

 

13. Policy Versioning, Prior Versions & Acceptance

  • This Policy is Version 2.0 and supersedes all prior versions, including the March 1, 2021 Policy and the June 9, 2025 update.

  • Each engagement is governed by the version of this Policy in effect on the date of the Client's first booking confirmation, deposit, or written engagement for that project, except where a separately signed agreement states otherwise.

  • Prior versions remain binding as to engagements entered under them.

  • Booking any LaunchBox facility, engaging any LBMG crew or agency service, paying an invoice, or confirming a session constitutes full acceptance of the version of this Policy in effect on the date of that action. Acceptance may occur electronically via website, email, invoice payment, or payment gateway.

 

14. Governing Law, Venue & Dispute Resolution

This Policy is governed by the laws of the State of Texas, without regard to its conflict-of-laws principles, and, where applicable, by federal law including the U.S. Copyright Act (Title 17), the Lanham Act (Title 15), and the Defend Trade Secrets Act (Title 18).

Exclusive venue and jurisdiction lie in the District and County Courts of Tarrant County, Texas, and, for claims arising under federal law, in the United States District Court for the Northern District of Texas, Fort Worth Division. The parties consent to personal jurisdiction in those courts and waive any objection based on venue or forum non conveniens.

Before initiating litigation, the parties shall attempt good-faith written resolution for thirty (30) days, followed, if unresolved, by non-binding mediation in Tarrant County, Texas. This provision does not limit either party's right to seek injunctive relief to protect intellectual property.

 

15. Severability & Entire Agreement

If any provision of this Policy is held invalid or unenforceable, the remaining provisions remain in full force. This Policy, together with any signed engagement agreement, Rights Transfer Agreement, Credit Waiver, or Brand Paths agreement, constitutes the entire agreement between the parties regarding its subject matter and supersedes all prior or contemporaneous oral or written communications, which are void under 17 U.S.C. § 204(a) and Tex. Bus. & Com. Code § 26.01.

 

16. Contact

For production, IP, or policy inquiries:

📧 hello@launchboxcollective.com 📍 2726 Lipscomb Street, Fort Worth, Texas 📞 (817) 961-9690

 

Protected By

Federal Law:

  • U.S. Copyright Act — 17 U.S.C. §§ 101, 102, 106, 106A, 114, 115, 201, 202, 203, 204(a), 301, 401–412, 501–506, 507

  • Music Modernization Act — 17 U.S.C. § 1401 et seq.

  • Digital Millennium Copyright Act — 17 U.S.C. §§ 512, 1201–1205

  • Lanham Act (Trademark & Unfair Competition) — 15 U.S.C. §§ 1114, 1125(a), 1125(c)

  • Defend Trade Secrets Act — 18 U.S.C. § 1836 et seq.

  • Federal Wiretap / Electronic Communications — 18 U.S.C. §§ 2510–2522 (recording consent, as applicable)

Texas Law:

  • Texas Business & Commerce Code § 26.01 (Statute of Frauds)

  • Texas Business & Commerce Code § 17.46 (Deceptive Trade Practices)

  • Texas Civil Practice & Remedies Code Chapter 134A (Texas Uniform Trade Secrets Act)

  • Texas Property Code §§ 26.001–26.015 (Right of Publicity, deceased individuals)

  • Texas common-law Right of Publicity, Misappropriation, Unfair Competition, and Tortious Interference

  • Texas Business Organizations Code (LLC and Trust operations)

Contractual & Equitable Protections:

  • Private Membership Contract

  • Private Trust Law

  • UCC § 1-308 (Reservation of Rights)

  • Common Law Copyright & Contract Principles

 

LaunchBox Collective™ and LaunchBox Media Group™ are trade names of LaunchBox Collective LLC and LaunchBox Media Group LLC respectively, each a Texas limited liability company and operating subsidiary of LaunchBox Holdings LLC, held by the Pfahlert Family Private Trust. All activities governed by this Policy, the Private Membership Contract, and Texas contract and common-law principles.
 

© 2026 LaunchBox Collective LLC, LaunchBox Media Group LLC and LaunchBox Holdings LLC. All rights reserved.

2726 Lipscomb Street

Fort Worth, TX, USA

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© 2026 LaunchBox Collective LLC and LaunchBox Media Group LLC. All rights reserved.

LaunchBox Collective™ and LaunchBox Media Group™ are trade names of LaunchBox Collective LLC and LaunchBox Media Group LLC respectively, each a Texas limited liability company and operating subsidiary of LaunchBox Holdings LLC, held by the Pfahlert Family Private Trust.

All activities governed by the LaunchBox Master Terms & Conditions v1.0, the Terms & Conditions v2.0, the Private Membership Contract, and Texas contract and common-law principles.

Protected by: U.S. Copyright Act (17 U.S.C. §§ 101–1205) · Lanham Act (15 U.S.C. § 1125) · Defend Trade Secrets Act (18 U.S.C. § 1836) · Private Trust Law · UCC § 1-308 · Common Law

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